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You would be correct to assume a bit of irony behind the title of Michael Haneke’s new film Happy End. As Funny Games (1997) showcased a series of sinister and decidedly unfunny larks, Haneke’s latest follows a troubled family who seem determined to avoid contentment. Tolstoy believed “every unhappy family is unhappy in its own way,” and Haneke’s four-generation Laurent clan proves this, seething in layers of torment.
Interview: Funny Games Director Michael Haneke
Haneke (whose masterworks include "Code Unknown" and "Cache") explains that his distinctively European film is "a reaction to ... the way American cinema toys with human beings ... [so that] violence is made consumable." That's true, and it's what "Funny Games" sets out to do, but Haneke's essay fails because he hasn't a clue about what makes American movies tick. "Funny Games" doesn't seduce you with conventional storytelling and character development and then turn them around on you -- like, say, Alfred Hitchcock's "" and "Psycho." Instead, as the press kit explains, it encourages its viewers "to see their own role through a series of emotional and analytical episodes." In other words, this isn't a movie, it's a thesis.
The Best Films of 2017 | The Zurich English Student
In celebration of the 2015 Halloween season, haneke funny games essay we've collected and ranked 100 of the best horror movies of the 2000s Solaris is a 1961 philosophical science fiction novel by Polish writer Stanisław Lem.