To be, or not to be: that is the question". - (Act III, Scene I).

Prince Louis de Bourbon, Duke of Anjou, disagrees. “Now that we have found and authenticated the head, we have to organize its return [to the rest of the body],” he said.

1613. The Globe Theatre burns to the ground. The Two Noble Kinsmen is penned. A 1634 entry within the Stationer’s Registry confirms that both William Shakespeare and John Fletcher composed this play.

"This above all: to thine own self be true". - (Act I, Scene III).

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In the Palace of Westminster, KING HENRY, HAL’s Father is told by the EARL OF WESTMORELAND (James Laurenson) that English forces, led by MORTIMER (Harry Lloyd), have been defeated by Welsh rebels, led by GLENDOWER (Robert Pugh). And that there has been fighting between Scottish insurgents and the ‘gallant’ HARRY PERCY, known as HOTSPUR (Joe Armstrong). KING HENRY interrupts WESTMORELAND to read a letter from SIR WALTER BLUNT (Jolyon Coy. HOTSPUR has won the battle and taken many prisoners in doing so. It is a bitter sweet moment for the King who can only wish that his own son were as honourable as HOTSPUR. HAL’s less reputable interests lie elsewhere.

1592-94. written in this time.

1595. A busy year for Shakespeare as he is thought to have composed performed that very same year,, thought to be composed for a wedding and the greatest love story of all time,

"Can one desire too much of a good thing?". - (Act IV, Scene I).

1596. is thought to have been written. The Lord Chamberlain’s Men lose their original patron, Henry Carey, Lord Hunsdon and Lord Chamberlain to be replaced by his brother George Carey, Second Lord Hunsdon, who succeeds his late brother.

1594-1596. is assumed to have been written.

1594. The Lord Chamberlain’s Men, a theatre troupe including distinguished actor Richard Burbage and comic Will Kemp performs with Shakespeare in their group.

"True is it that we have seen better days". - (Act II, Scene VII).

The secret of Falstaff's wit is for the most part a masterly presence of mind, an absolute self-possession, which nothing can disturb. His repartees are involuntary suggestions of his self-love; instinctive evasions of everything that threatens to interrupt the career of his triumphant jollity and self-complacency. His very size floats him out of all his difficulties in a sea of rich conceits; and he turns round on the pivot of his convenience, with every occasion and at a moment's warning. His natural repugnance to every unpleasant thought or circumstance, of itself makes light of objections, and provokes the most extravagant and licentious answers in his own justification. His indifference to truth puts no check upon his invention, and the more improbable and unexpected his contrivances are, the more happily does he seem to be delivered of them, the anticipation of their effect acting as a stimulus to the gaiety of his fancy. The success of one adventurous sally gives him spirits to undertake another: he deals always in round numbers, and his exaggerations and excuses are "open, palpable, monstrous as the father that begets them." His dissolute carelessness of what he says discovers itself in the first dialogue with the Prince.

"For ever and a day". - (Act IV, Scene I).

Following the death of his mother in June 1572, Henry became king of Navarre. An arranged marriage to Margaret of Valois, daughter of Henry II and Catherine de' Medici, brought Parisian Catholics and visiting Huguenots together in an uneasy standoff. The tension erupted into the full-scale killings of the St. Bartholomew's Day Massacre on August 24, 1572, and Henry escaped death with the help of his wife and his promise to convert to Catholicism.