Talesof type 1430 about daydreams of wealth and fame.

To take one of these essays, copy it, and to pass it off as your own is known as plagiarism—academic dishonesty which will result (in every university I've heard tell of) in suspension or dismissal from the university.

A selection of fables depicting the relationship between children and adults.

West
- Sabine Schülting
- Mark Nicholls

- Margaret Downs-Gamble
- Sam Hemingbrough
- Vance Briceland
- Steven Thomas
- Janice Greer


- H.


The classic "Open Sesame" tale (type 676).

Ashliman, with supporting texts from proverbs,folktales, and myths from around the world.

Heil
Dissertation: - Julia Matthews
Dissertation: - Elizabeth Mathie
Dissertation: - Gillian Knoll
Dissertation: - Supriya Chaudhuri
Dissertation: - Catherine Bates
Dissertation: - Jennifer A.


Dear - Brian Gourley - Carole Levin - Ernst Gerhardt - Kurt A.

Charms recorded in the Orkney and Shetland Islands duringthe nineteenth century that bear a close similarity to the famous pre-Christian () number 2 from Germany.

Pilkinton - James McBainUndergrad Thesis: - Andrew H.

Folktales ofAarne-Thompson-Uther type 1161 (also categorized asmigratory legends of Christiansen type 6015) in which a troll or othersinister creature mistakes a bear for a cat (or other domestic animal), then quickly learns that bears do not make good pets.

Smith - Mark StevensonDissertation: - Susan E.

In what might be called the most recent of all creation myths, the Raelians outline here their belief that "scientists from another planet created all life on earth using DNA."

KerrDissertation: - Danila A.

In this essay, I read the 9th story of the 9th Day—a tale, ostensibly, of Solomonic wisdom—as the negative apotheosis of its narrator, the deeply confused Emilia. After considering the novella itself as a disturbed and disturbing scene of interpretation, leading to the savage beating of an unruly wife, I frame it, by turns, in relation to (1) Emilia’s introduction of the tale as an inverted allegory of female subjugation to patriarchal power; (2) her (largely abdicated) role as queen for a Day of narrative license and incompetence; and (3) her key, if contradictory, appearances throughout the Decameron as a whole, which consistently foreground the unstable relation of the text to medieval traditions of epistemology and gender hierarchy. Emilia and her story of Solomon’s enigmatic advice hold up a mirror, though a dark one indeed, to the conflicted soul of the Decameron itself, by turns celebratory and condemnatory of women, thoughtlessly sensual and deeply reflective in its pleasures, Solomonic both in its commitment to compassionate wisdom and its confinement to the world of the human and the natural, and, above all, incessantly worried over how to re-negotiate the fundamental opposition of Christianity, medieval and Dantean, between the letter that kills and the spirit that saves.

SokolovDissertation: - Noël C.

Karr
- Steve Mentz
- Mónica María Martínez Sariego

- Juan Carlos García Lorenzo
- Juan Carlos García Lorenzo
- Laurie Shannon

- Ellie Rycroft
- Michael Hattaway