SparkNotes: The Sound and the Fury: April Seventh, 1928

Based on the novel by Nobel Prize winner author William Faulkner and considered among the 20th century's greatest works, The Sound and The Fury encapsulates the universal theme of the death of honor, social injustice and forbidden love.

The sound and the fury essay | The Quay House

Faulkner’s stream of consciousness style is notoriously difficult for some readers. If you find yourself intimidated, then work up to it with one of Faulkner’s easier works such as As I Lay Dying. On the other hand, if you were brought up in the shade of the magnolias with Dixie playing in the background, but you find all the baggage that goes with it increasingly out of place, then you may discover that reading The Sound and the Fury is as easy as following the stream of your own thoughts. In my opinion it is the greatest American novel.


The fury essay – pomfprofteternefordadondedelma

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In Hamlet and Macbeth the scene opens with superstition; but, in each it is not merely different, but opposite. In the first it is connected with the best and holiest feelings; in the second with the shadowy, turbulent, and unsanctified cravings of the individual will. Nor is the purpose the same; in the one the object is to excite, whilst in the other it is to mark a mind already excited. Superstition, of one sort or another, is natural to victorious generals; the instances are too notorious to need mentioning. There is so much of chance in warfare, and such vast events are connected with the acts of a single individual,—the representative, in truth, of the efforts of myriads, and yet to the public and, doubtless, to his own feelings, the aggregate of all,—that the proper temperament for generating or receiving superstitious impres-sions is naturally produced. Hope, the master element of a commanding genius, meeting with an active and combining intellect, and an imagination of just that degree of vividness which disquiets and impels the soul to try to realize its images, greatly increases the creative power of the mind; and hence the images become a satisfying world of themselves, as is the case in every poet and original philosopher:—but hope fully gratified, and yet, the ele-mentary basis of the passion remaining, becomes fear;
and, indeed, the general, who must often feel, even though he may hide it from his own consciousness, bow large a share chance had in his successes, may very naturally be irresolute in a new scene, where he knows that all will depend on his own act and election.